December 31, 2010

Veracity and chasing the impossible dream

Filed under: Games — Tags: , , , — bilbo @ 9:24 pm

I see this most in historical games but it happens in any genre to some extent. The expressed desire that a game be “more realistic” or if it was just more “true to the period”. Sometimes it comes our as “OMG! There is no way that the dino-blaster 2000 could take out a neocybercryoTyanoRex 4500!!!” but it invariably comes down to a question of veracity.

Normally, I would say this is a simple argument of definition.

correctness or accuracy, as of the senses or of a scientific instrument.

I do not believe this is the case with RPGs. Why? Because in our little slice of the world, veracity has become a subjective idea. Yeah, you heard me punk, truth is subjective. Not to go all Kierkegaard on you, but since we are dealing with a fictional work and not one of scientific or non-fiction, you really need to ask a much more personal question, a more immediate question, is it entertaining? It never ceases to amaze me that this seems to be the last thing on many people’s minds when dealing with a game. It seems to them, and rightfully so, that their enjoyment is secondary or some how dependent on the veracity, the externally verifiable truth or factual correctness of a game.

Now feel that. Right there. Your first reaction, you initial revulsion at the thought of a game riddled with errors, impossible to read, sentences that end in the middle. That is not what I was saying. It is the first reaction, a vague feeling that somehow if you have Caesar driving a Porche and shooting dinosaurs with his blaster that the game might be fun. However, add Caesar being born in the wrong year and the entertainment value is destroyed. The game is only good for kindling.

It gets worse. No matter how “correct” the game is, you will always have “errors” in the game. Gamers seem obsessed with this. Designers are driven by a need to try and fill this impossible gap. “Not impossible,” you say,”you merely need to get your facts straight”. I fear this is not the case. It is that subjective truth I mentioned earlier. Someone, somewhere will find something you changed, you made the call on, like how strong a t-rex is or what social changes were important, and hammer them. True veracity, even if attainable, is not a shield either.

In the end, you can only make games that you would play, that you would like. Instead of objective veracity, a designer or GM should shoot for consistency. This is much more attainable, and I believe, far more rewarding not only for the designer but also for everyone involved. With consistency, you have the idea of a thread or theme that persists through out the book. Much like a novel, your character, you world, should not have rules at one point that change at another. Your framework is the basis that you engage the reader from.

Finally, to be clear, I am not advocating inaccuracies in a fictional setting. Far from it, I am advocating creative license coupled with consistency and thinking through the repercussions. So, gunpowder in early Roman Empire is going to have a great deal of far reaching effects on history. However, whether Romans had gun powder in the first century is not the point. If you thought it was, you missed mine. ­čśë


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